Tuesday, 18 May 2010

The British Invasion


The British Invasion is a term mainly used in America, to describe the large amount of British bands and groups that worked their way into the American charts from around 1964 ended in 1967 by homogeneous worldwide rock. While early attempts to replicate American Rock and Roll failed, a new Trad Jazz inspired craze was the starting point of several British acts that later became part of “The Invasion”. Young British groups started to combine various British and American styles. This fusion became known as “Merseybeat” in Liverpool during 1962. “The Tornados” were the first British rock act to have a number one single in the U.S, with their instrumental “Telstar”.



On December 10, 1963 the CBS Evening News ran a story about the phenomenon with The Beatles in the U.K, which was named “Beatlemania”. After seeing the report an American watcher wrote a letter the following day asking “"why can't we have music like that here in America?". In response to this and others, on December 17, The Beatles "I Want to Hold Your Hand" was introduced live on the air, which was the first airing of a Beatles song in the United States.



Major record stores were receiving masses of requests for records that they did not have. On December 26 “Capitol Records” released The Beatles album 3 weeks ahead of schedule, which happened to be on vacation time for teenagers, which helped the “Beatlemania” spread. On January 18, 1964, "I Want to Hold Your Hand" reached number one on the “Cash Box” chart. The success of their hits in America carried on, and around a week later they made an appearance on the “Ed Sullivan Show”. On February 7 The CBS Evening News ran a story about The Beatles' arrival in America and that same day the correspondent said "The British Invasion this time goes by the code name Beatlemania".



Over 75 percent of Americans who watched television that night watched The Beatles appearance. After the show The Beatles continued their success over in America aswell as at home in the U.K, until they broke up in 1970.
In the same year as The Beatles success in America, Dusty Springfield became the second British act to claim a hit in America. He reached no. 77 in the Hot 100, which eventually reached no.12. More British acts followed this success with bands such as, “The Animals”, “Herman’s Hermits”, “The Rolling Stones” and “The Troggs”. Many of these mentioned groups had at least one or more no.1 singles over in America, and still dominated the charts over in the U.K.



The invasion was not just about the music however went into many aspects such as the fashion and media. The fashion from Carnaby Street and The Beatles movie “A Hard Day's Night” was said to lead the American media into proclaiming that England was the centre of fashion and music.



The British Invasion had a massive influence on the shape of popular music today as we know it. It played a key part in internationalising the production of rock and roll, and opening the door to British artists to achieve international success. However the Invasion could be blamed for the end of other music scenes such as vocal girl groups and teen idols, which had dominated the American charts in the late 1950s and 1960s. It had a major effect on the derailed chart success of establishing R&B acts, and surviving Rock ‘N’ Roll acts including Elvis Presley. It influenced many garage bands of the time to produce a sound with a “British Invasion inflection” and inspired many groups to form that would create a new scene of which many American groups and artists would emerge. The British Invasion also helped create a distinct genre of rock music, and cemented the primacy of a now average rock band, based around guitars and drums.
A second wave of the invasion occurred and involved major bands such as “The Who”, “The Kinks”, and “The Zombies”, who were influenced heavily by American rock music and the pop side of the first wave invasion. In the early 1980s British acts were informed by the after effects of the “New Wave / Punk” revolution. The Police cracked the top American 40 with their 1979 single “Roxanne”. This was followed by a large amount of artists reaching modest chart success such as, “The Pretenders”, “Elvis Costello” and “Gary Newman”.


 
The British Invasion played a very important part for music today, through musical influences such as The Beatles, who have undoubtedly structured music of today. The British Invasion also opened doors for artists in the U.K to have their music shared worldwide. If the British Invasion had not happened then American music would not be how it is today.

Monday, 17 May 2010

Rock 'N' Roll

Essential Listening

Rock ‘N’ Roll
Big Joe Turner-Roll Em Pete (1939)
Hank Williams-Move It On Over (1947)
Jimi Preston-Rock The Joint (1947)
Fats Domino-The Fat Man (1949)
Les Paul and Mary Ford-How High the Moon (1951)
Jackie Brenston-Rocket 88 (1951)
Bill Haley-Rock Around The Clock (1954)
Bo Diddley- I Am a Man (1955)
Bill Haley-Crazy Man Crazy (1955)
Elvis Presley-Blue Suede Shoes (1955)
Chuck Berry-Roll Over Beethoven (1956)
Chuck Berry-Johnny B Goode (1958)


Useful Websites

Genre Information


http://en.wikipedia.org/wiki/Rock_and_roll
www.history-of-rock.com
http://pages.prodigy.net/cousinsteve/rock/feat4.htm
www.scaruffi.com/history/cpt11.html
www.classicbands.com/history.html
http://digitaldreamdoor.nutsie.com/pages/best_timeline-r1.html


Important Artists / Bands

www.chuckberry.com/
www.rockabilly.nl/references/messages/jimmy_preston.htm
http://rockhall.com/inductees/big-joe-turner/
www.bo-diddley.com/
http://en.wikipedia.org/wiki/Hank_Williams
www.rockabilly.nl/artists/brenstonturner.htm
www.elvis.com/

Sunday, 18 April 2010

The 70s –Funk

Funk was firstly created in the late 1960s by African American musicians, but didn’t really fully develop as a musical genre until the early 1970s. It was a new type of music which blended soul and R&B into a strong rhythmic, danceable, form which was all about the feel of the grooves.


http://www.realmusicforum.com/wp-content/2008/12/bootsy_collins_and_george_clinton_live_funk_origins.jpg
The person who was seen to be the main pioneer and creator of funk was James Brown, with his “Papas got a brand new bag” (1965 with “King” records), being one of the first major funk hits. Towards the later 1960s, early 1970s, Brown went on to push the funk music style further with his later releases such as “Mother Popcorn” and the more well-known “Get Up (I Feel Like Being A) Sex Machine”. In these later hits he began to change some of the musical aspects and features of his earlier music, even discarding the twelve bar blues sequence which he regularly used. Instead he began to use his voice more dominantly, with grunts and more rhythmic speaking.
http://www.frontrowking.com/concerts/james%20brown/james_brown.jpg

Funk music was associated heavily with the political sides of the black conflicts at the time. There was uproar of riots leading up to, and after the assassination of Martin Luther King in 1968, at which time James Brown performed a concert in Boston, where he spoke about the riots. This concert was a peacemaker; the music he played was a way out to all the destruction and racism that surrounded them.
http://blog.mywonderfulworld.org/2009/02/11/busing%20riot%20boston.jpg

Features of Funk

Funk is all about the groove and pulse. It contains not so much melody or harmonies, but instead really brings out the bass and drums. Aswell as being the backbone to most genres of music, drums and bass play a vital part in funk. Typical instrumentation consists of heavily rhythm based instruments such as electric guitar, Hammond organ, Bass Guitar and drums. Some funk band line ups also include small brass sections and saxophones, which would accent the grooves “hits”. There is often a great emphasise on beat 1 in the bar, which is demonstrated by the legendary funk bass player Bootsy Collins in this video.





Influences


Funk music was pre-dominantly an African-American people’s music, and was heavily influenced by the riots and racism at the time. James Brown was a massive influence, being not only the start of funk, but going on to be a great influence on further major funk artists such as, Marvin Gaye and George Clinton. Musically funk grew out of the soul tradition and put a more pronounced beat, with influences from rock, Jazz and original R&B.


George Clinton breathed new life into funk by incorporating psychedelic rock influences. With his bands, Funkadelic and Parliament, giving birth to a new sub-genre (P-Funk), funk began to grow in popularity even further, and many jazz musicians of the time began to incorporate a lot of funk into their own music.


Funk has gone on to influence so many bands and artists. Funk was and still is commonly sampled in modern hip-hop tracks. Such as George Clintons “Atomic Dog”, which was sampled by Snoop Dog in his song “Who Am I (What’s My Name?)”.


 
Red Hot Chilli Peppers are another heavily funk influenced band, who even covered Stevie Wonder’s 1973 hit “Higher Ground”.


 


Another great band that was heavily influenced by funk, is Dave Matthews Band. From the grooves and horn sections, down to the lyrics, Dave Matthews Band hold typical aspects of funk music.





In the 1980s the sexually suggestive lyrics of the 70s funk, had been turned more explicit and less traditional. However there were many people who carried on the traditonal legacy of funk, such as Prince and Rick James.

Lyrical Content



The lyrics of most funk songs were often political, giving out messages to the people. These messages were often very simple for anyone to understand. A great example of this, is James Brown’s “Say it Loud I’m Black and I’m Proud”.





These lyrics were obviously based of the politics at the time. This song alone made many African –American people feel empowered, which was the whole point of the song. Other than political lyrics, songs mostly contained lyrics about dancing and having a good time.


Without Funk, many bands would not exist in the way they have, and some of today’s music would not have even been created. Funk was and is part of evolution in music and has produced so many amazing musicians and artists.

The 70s - Funk

Sunday, 4 April 2010

Sunday, 7 February 2010

The 80s - New Romantics

The New Romantics emerged in the UK, in the early 80s. It was said to have been a movement against the punk scene, however it could also be seen as a carry on from punk. The New Romantics was about glamour, sexuality, ostentatious clothes, being different and standing out in the crowd.

New Romantics developed largely through a nightclub called Billy’s, which held David Bowie and Roxy music nights. But when Punk Rock had lost its original popularity, organizers Ste Strange and Rusty Egan relocated to a club called The Blitz. Before becoming famous with Culture Club, Boy George worked as a cloakroom attendant at The Blitz, until he was fired for allegedly stealing money from people’s coats and purses. Another person who worked as a cloakroom attendant was cross dresser singer, Marilyn, who later became known for his song “Calling Your Name” in 1983.



http://www.hollywoodcelebgossips.com/wp-content/uploads/2009/04/british-singer-marilyn-peter-robinson-picture.jpg


Rusty Egan was the clubs DJ, and Ste Strange worked on the door. Many people were turned away from the club by Ste Strange, including Mick Jagger, who was denied into the club as he “lacked appropriate attire”. This is how Ste Strange became well known, as well as being in a very famous band called Visage.


Everyone dressed as uniquely as possible to attract attention. Both sexes wore a lot of makeup, and often dressed in clothes of the opposite sex. A lot of the costumes people wore were handmade and were decorated to a high degree with bright colours. A common hairstyle was the quiff, however many people tried to be as unique as they could, and styled their hair as big and bold as possible.


http://echostains.files.wordpress.com/2010/01/80-s-adam-ant-new-romantic-retro-fashion-1335561-264-400.jpg
http://spd.fotologs.net/photo/13/17/48/key__george/1209426748_f.jpg


The music of New Romantics took large influence from David Bowie, with his song “Ashes to Ashes” considered to be the anthem of New Romantics. Ste Strange actually appeared in the Ashes to Ashes video alongside other members of the London Blitz scene. This video was the most expensive video at the time costing £25,000. It has a lot of copyright prtection therfore this is just a link.

http://www.youtube.com/watch?v=DLBlFq4oE2I&feature=related


Bands like Duran Duran, Spandau Ballet and Visage took heavy influence from David Bowie, from both his music and appearance. Most of the songs were mainly synth driven, with a strong often slapped bass line. The lyrical content was about having fun and blocking the bad things out in the world, “We'll try to stay blind, to the hope and fear outside, Hey child, stay wilder than the wind”-(Duran Duran-Come Undone). The structure of the songs were quite simple but had catchy hooks and melodies. New Romantic scene music was often laid back, with a steady beat to dance to.

Duran Duran, Spandau Ballet and Culture Club were undoubtedly the biggest bands of the New Romantic scene. Duran Duran didn’t release their first single until 1981 but had been together since 1978. So by this time they had already fully developed their sound and style. They reached their fame with their third single “Girls on Film”, whose video became banned by the BBC. This opened people’s eyes to possibilities in videos, which helped Duran Duran receive worldwide success.







Spandau Ballet emerged from the Blitz, and recorded their first album “To Cut a Long Story Short” in 1980, with many more hits immediately following. However the same success did not come to Culture Club so quickly. They were turned down by EMI and were eventually signed by Virgin. It wasn’t until their third single “Do you Really Want to Hurt Me” that they became large, thanks to Boy Georges voice and startling appearance. They caused much confusion as to whether he was a man or woman.



The type of music that was being produced in the New Romantic scene didn’t have much of a political view, however everybody wanted to be different, and wanted to be allowed to be different. The music was a way of pushing all of their troubles aside and be allowed to be what they want. This is why everybody dressed as differently as they did. On the other hand most people wanted to attract attention, and have a good time.

The actual musical aspect of the New Romantic scene took great influence from soul, punk and even funk. Here is an example of a greatly funk influenced Duran Duran song.






The New Romantic scene had great influence on bands of today such as Franz Ferdinand, with the music and even some aspect of the style. The New Romantic scene was a very good time for music, and some great bands and songs came out of it.

Sunday, 15 November 2009

The 90s - Girl Groups and Girl Power

Girl groups in the 90s were very popular, and almost all for different reasons. Some of the groups had obvious influences, whilst others attempted to create their own, new type of girl group.


A major girl group of the 90s was "The Spice Girls". With a total of over 65million records sold, they are the most succesful girl group ever and the most successful group since "The Beatles". There are many reasons why The Spice Girls were as successful as they were, with the main reasons being their style and look as a group. Every member of The Spice Girls dressed differently and had a unique stage name, "Scary Spice", "Baby Spice", "Posh Spice", "Sexy Spice" and "Sporty Spice". By having this The Spice Girls were enabling themselves to be more likeable, as every fan had their favourite. The band also attracted a lot of male attention, especially with some of their more revealing outfits.




http://estb.msn.com/i/CE/445BA35D1D6DFF4524521A2EC735.jpg

Another very popular girl group of the 90s were Destinys Child. They had been influenced greatly from bands such as "The Ronettes", following their uniform appearance and group choreography. They had one main singer and two backing singers. This can be found in many bands especially from the 60s such as, "The Ronnettes", The Supremes" and "The Three Degrees". En Vogue were another band which were heavily influenced, with the uniform appearance and group choreography, however they did not have a lead singer, but had a lot of harmonising and certain band members taking the lead roles for different parts of the song.



http://lpintop.tripod.com/sitebuildercontent/sitebuilderpictures/ronettes1.jpg
http://images.teamsugar.com/files/users/1/15111/25_2007/destinys%20child.preview.jpg

Many of the girl groups of the 90s were making music about feminism and how women/girls can do things better than men. A major song illustrating this point was called "Girl Power" by a girl group called "Shampoo" in 1995. The song simply states how much better it is to be a girl then a boy, and how girls can do boys things too, with the opening lyrics as "I don't want to be a boy, I want to be a girl".



http://www.youtube.com/watch?v=DrtwI-k6swc

In agreement with this was the riot movement which consisted of underground punk girl groups such as, "Bikini Kill" and "Jack of Jill". Their songs would often contain lyrics addressing issues like female empowerment and sexuality. Writing songs about these issues was their way of getting their message across the world. In most songs they would put their points across quite aggressively just as the usual punk band would, with a "don't-care" attitude.

As well as being a very well known producer and manager, Phil Spector played an important role for the girl groups of the 90s. He was the recruiter of many famous girl groups of the 60s such as, "The Crystals", "The Ronnettes" and "The Blossoms", and was the pioneer of the 1960s girl group sound. Without him the girl groups of the 90s may not have existed in the way that they did.


http://sexedmusic.files.wordpress.com/2009/05/phil-spector-head.jpg

Many of the 90s girl bands have influenced the girl bands of today. The Spice Girls have undoubtedly influenced Girls Aloud, a fun sexy band consisting of five female singers, each with their own unique style.


http://www.youtube.com/watch?v=UqFouvUbGpo

The 90s was a big time for girl bands, a whole lot of attitude and feminsim. The whole point in most of the girl bands in the 90s was to get the point across that girls are better than boys. However the actual musical content was very simple and repetative, with very repetative lyrics and a cheesy hook. The chord sequences were very simple along with a simple catchy melody, and a dancy rhythm.

The girl groups of the 90s were undoubtably both influencial and outstanding in the way they performed, having a vast potential for fans, they were always going to be successful. Some groups were more popular and successful for different reasons. I think certain groups like destiny's child and eternal could have been a lot bigger, however there were too many all girl groups alike them at the time. This is why the spice girls were so popular and successful, because they were different and unique. I think that the most powerful thing that the girl groups of the 90s had was their lyrics and hooks in their songs. Without the lyrics the song would sound very simple. Some songs such as "C'est la vie" from B*Witched contained a very catchy melody aswell as the predictable lyrics and cheesy hook.

http://www.youtube.com/watch?v=GSj0DZ0Vcm8

The 90s was a good time for Girl groups.

List of Information Sources:

http://en.wikipedia.org/wiki/Girl_group
http://en.wikipedia.org/wiki/Girl_Power
http://www.girl-groups.com/